Bland Vargar Bologna, Italy
Bland Vargar were born during the cold winter of 2010. The land was the unholy countryside of Casaliculum (Bologna),
Shitaly.
Bland Vargar play epic raw black metal with some ambient and folk elements.
Loud and clear: Bland Vargar are against any form of Nazi-fascism and Racism!
Featuring members of Gravesite, Ancient Cult, Undead Creep, A Place for Murder, Devoured by Vermin among others.
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O turniach, jeziorach i nocnych szlakach
by Wędrujący Wiatr
supported by 5 fans who also own “Notturno 11 (Of Death and Rebirth)”
Following their 2013 debut, Wędrujący Wiatr has released another powerful piece of atmospheric black metal. Continuing along the same path as the previous effort, but with notable evolutions in composition and execution, this album cements its place at the top of my list for best metal album of the year. Truly an amazing piece of work.
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supported by 5 fans who also own “Notturno 11 (Of Death and Rebirth)”
Faites-vous l'image mentale de quelqu'un en train de hurler pendant deux minutes directement dans vos oreilles sans discontinuer, sans reprendre sa respiration : c'est ainsi que les guitares dissonantes ouvrent le premier album éponyme du groupe australien Hope Drone — et pour reprendre le sample d'un certain album, ils ne faisaient que s'échauffer. Le trio a le cœur lourd et incorpore de la noise dans son post-doom metal pour que le désespoir soit total. Un début tout simplement grandiose !
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supported by 4 fans who also own “Notturno 11 (Of Death and Rebirth)”
Big thanks to Korpi for helping me discover this one. Some fine Michigan metal
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Folk music that reaches to the past, connecting to yesteryear while unearthing primordial magic.
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featured on Bandcamp Radio Mar 18, 2022
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Joseph Hawker subverts the musical and sociopolitical status quo with a black metal triptych that's as incendiary as it is impressionistic.
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supported by 4 fans who also own “Notturno 11 (Of Death and Rebirth)”
This is my favorite release by a criminally underrated American black metal project. The astonishing musicianship (this was a one-person band), the way the dense howl of vocals and strings contrast with the spacey 80s Joe Hisaishi keys, the unusual and endlessly creative ways the drum machine is utilized - there's still nothing quite like Petrychor, even now. I've listened to 'Planets Born of Human Ash' a hundred times and the percussion still blows my mind. Cheers, and thanks for the music.
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